Here’s @David_Rees just SMASHING movies into paste with some big old books.
Look, you know that GOING DEEP WITH DAVID REES begins tonight at 10PM on @NatGeoChannel.
BUT I AM GOING TO KEEP TELLING YOU ABOUT IT AND HOPING YOU WILL WATCH IT ON TV TONIGHT.
That is all.
This was quite a journey! I spent the better part of a day going back and forth with a guy that I was not entirely sure was for real at first, then I absolutely got fooled, and then I realized I got fooled. It was fun. The guy said some LEGITIMATELY funny stuff when he was “in character.” And it all ended in a way that I felt good about.
It’s pretty much all laid out in the screencaps, But let me elaborate here:
HEY YOUNG MEN! I know it seems like women complain a lot about how they are represented in media, including fiction, and how it seems like they want entertainment tailored specifically to them, and how they seem to want ALL of pop culture to be politically correct or feminist-ized or whatever it is you think they want, but really, what’s happening is that women are tired of seeing garbage women characters in most of our entertainment. And they’re wondering, Would it really be so much trouble to make more realized female characters? You could still have all your CGI and action and science fiction and drama and swords and stuff, but the female characters could be a little more fleshed out and interesting. And the entertainment would still be good and would, in fact, be better.
Guys, instead of thinking, “Hey, not everything has to be politicized,” try thinking, “I wonder what it would be like for me if the situation were reversed, and how I’d feel if in the vast majority of the entertainment I consumed, the male characters were few and far between and then mostly used as talking props & plot devices. I wonder if I’d get kinda tired of that and occasionally I’d say something, even a little joke, just to ease the annoyance a little.”
Fellows. Listen to the women in your lives. Ask them questions. It will change your perspective for the better. Years ago, I got into a brief argument with two female friends of mine about a movie— it does not even matter which movie— that they viewed as sexist and I did not. I couldn;t even fathom how they could see it that way. I tried to argue that it was not sexist. In recounting our discussion to another party, it was pointed out to me that they might have a different viewpoint based on their life experiences, and that it was not for me to tell them that their interpretation was incorrect. And that I was probably getting defensive about it because if the movie was sexist, it followed that my liking it would make me appear sexist. And that’s when I realized that none of this was about me, and maybe I should shut up and listen and try to understand. And also to be more aware of things like this and develop not just my sympathy, but my empathy.
I will only ever be able to empathize so much with women, because my experience as a white male in America is vastly different from that of anyone who is not that. But I can relate to:
- not being taken seriously
- not being listened to
- being dismissed
- being condescended to
- having something explained to me that I already understand
And I having had those experiences, I am now more inclined to TRY to understand where someone is coming from if they are telling me they are having a similar experience with our culture.
So guys: just try. You don’t even really have to dig that deep. Think about your own experiences as a person, then apply that to someone else. It gets easier the more you do it, and it makes your life better.
Anyway, I hear Dawn of The Planet of The Apes is pretty good!
Start GOING DEEP WITH DAVID REES this very night.
14 years ago this summer I met David Rees for the first time at the COOLIDGE in Brookline, Massachusetts.
Prior to that I knew him only from his self-published clip art karate comic entitled MY NEW FIGHTING TECHNIQUE IS UNSTOPPABLE.
Jay Evans gave me that comic in the spring of 2000 when something very sad was happening in my life, and I laughed so so hard. It was a good gift.
So I invited him to this event I was doing at the Coolidge, and we have been friends ever since. But I do not praise David Rees because he is a friend, but because he a GENIUS.
Consider his body of work:
—The incredible clip art water cooler war comic GET YOUR WAR ON.
(I was also in CODEFELLAS, PS, because if David ever asks met to do something, I answer YES, and I never ever regret it.)
Dude has made me laugh harder and think harder about life and art than anyone, and tonight he will start helping you to think CLEARLY for once about HOW TO MAKE ICE, HOW TO DIG A HOLE, and HOW TO TIE KNOTS.
I really think you will enjoy this show.
And as always, despite your natural internet preferences for streamin’ and swipin’, I would consider it a favor if you could find a way to watch it TONIGHT on TELEVISION at 10PM on National Geographic’s channel, and perhaps let social media and @NatGeoChannel know that that’s what you’re doing.
Throughout the day I will be sharing more of my favorite DAVID REES short films.
I am also looking for a place with a television in Maine so that I can watch the show tonight as well.
CONTACT ME IF YOU CAN HELP.
Otherwise, that is all.
signed, John Hodgman.
PS: Please feel free to retweet and retumbl this letter so that we can remain friends. I REALLY WANT THIS SHOW TO SUCCEED, and I do not make any money off of it.
PPS: TONIGHT AT 10PM ON NATIONAL GEO’S CHANNEL TONIGHT TONIGHT TONIGHT (July 14, 2014, “Bastille Day”) TONIGHT!
Here is David Rees explaining how he got on television.
Meanwhile, if you have a television somewhere in Maine where I can watch this show tonight, please let me know.
That is all
7 Mistakes You’re Making with Olive Oil
Shampooing your dog with it.
Pouring it on Lord Denethor and lighting him on fire.
Trying to use it as currency.
Carrying it in a gallon freezer bag and telling people it’s your nephew Walt.
Freezing it in the shape of olives.
Dressing like Popeye and trying to have sex with it.
Using it as a metaphor to describe Johnny Fontaine’s hair to Tom Hagen.
So apparently, this is a thing: Greenscreen-clad workers who secretly flip models’ hair during shampoo commercials. (via @makingofs on twitter)
if they would leave the mummy in the commercial I would be 200% more likely to purchase the product
Paul F. Tompkins // The Super Serious Show
*Photo by Mandee Johnson
Funnily enough, this is exactly the mood I’m in today.
Open Mike Eagle - ”Qualifiers (Live from the Laundromat)”
It takes a special kind of rapper (and person) to make music that revolves so heavily around intelligence and irony without completely alienating his listeners. Open Mike Eagle’s secret? Even when he’s throwing around obscure literature references or crafting two-minute-long figurative satirical narratives or wryly criticizing modern reliance on technology, Open Mike never loses track of himself. Most of his criticisms come tied with a high-profile asterisk: Open Mike Eagle is just as tied to his surroundings and haunted by his demons as each of us, and that grounds his music and casts it in a subtly but crucially different light. These aren’t the superior chastisements of a rapper who knows better than us; Open Mike is just as mired in 21st century faults as each of us are.
Equally capable of carrying his songs by way of rapping and by singing (and of making us laugh and cry), “blending genres” doesn’t give Open Mike Eagle enough credit for what he’s done with Dark Comedy. He’s got a unique knack for phrasing age-old rallying mantras in ways that are both funny and undeniable in their clarity (“Nah, I’m in the hood hearing sirens/And the beat tried to make me feel good but it’s lying” — “Sadface Penance Raps”): as a matter of fact, run down the album’s tracklist for a good sense of Dark Comedy’s unique brand of honesty and irony: “Thirsty Ego Raps” and “Golden Age Raps” slide into “Very Much Money (Ice King Dream)” and the Hannibal Burress-featuring “Doug Stamper (Advice Raps),” while “A History of Modern Dance” makes an appearance later on.Making fun of people without alienating them is a difficult task, and one that Eagle takes to with aplomb.
It says it all, really, that one of the album’s most memorable tracks is about Open Mike being invited to a dream gig on the moon — a show that he has to withdraw from because, well, it’s his wedding anniversary (“Jon Lovitz (Fantasy Booking Yarn)”). That type of wry “well, what can ya do” juxtaposition is what makes Open Mike’s music so powerful; reality is always there to be grappled with, and he’s got no patience for anyone unwilling to confront its ugliness or place their perceptions in question. He might put it best himself on “Qualifiers”: “Fuck you if you’re a white man that assumes I speak for black folk/Fuck you if you’re a white man who thinks I can’t speak for black folk.” Sharp and incisive, Dark Comedy is rap made for today’s society, and Open Mike Eagle is a rapper made for its denizens.
i promise i didnt write this.
These were the guests for the first four Varietopia with Paul F. Tompkinses.
This Saturday is Varietopia No. 5. Whom shall the guests be?
FIND OUT AT THE SHOW!